Merging Technologies<\/a>)<\/p>\n![\"\"](\"https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/08\/vst.png\")
\u00a0 \u00a0 \u00a0 \u00a0![\"\"](\"https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/compatibilite-au.png\")
\u00a0 \u00a0 \u00a0 \u00a0![\"\"](\"https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/compatibilite-aax-native.png\")
\u00a0 \u00a0 \u00a0 \u00a0![\"\"](\"https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/08\/aaxdsp.png\")
\u00a0 \u00a0 \u00a0\u00a0 ![\"\"](\"https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/compatibilite-vs3.png\")
<\/p>\n
[\/et_pb_text][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2023\/01\/Apple_Silicon_Black.png” alt=”Apple SIlicon” title_text=”Apple SIlicon” _builder_version=”4.19.5″ _module_preset=”default” width=”15%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” background_color=”#cccccc” top_divider_style=”triangle” top_divider_color=”#000000″ top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Tutorials<\/h1>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=uIDK04yobCM” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” src__hover_enabled=”on|desktop” src__hover=”https:\/\/www.youtube.com\/watch?v=uIDK04yobCM”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/PJ6wnqcB-PI” _builder_version=”4.16″ _module_preset=”default” custom_margin=”-1px|||||” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#cccccc” module_class=”Custom_section” _builder_version=”4.16″ top_divider_style=”triangle” top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Envelope, Time and Detection Settings<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.<\/p>\n
Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.<\/p>\n
Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific \u201cFeed Backward\u201d modes inspired by vintage hardware architectures for producing a naturally \u201cbeefy\u201d sound.<\/p>\n
Dynamic Factor \u2013 Amplifies or diminishes the extracted real-time dynamics information.<\/p>\n
Dynamic Velocity \u2013 Controls the speed of variation on the extracted dynamics information.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/controls_2-3.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#ffffff” module_class=”Custom_section_grey Custom_section” _builder_version=”4.16″ background_color=”#cccccc” top_divider_style=”triangle” top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ disabled_on=”on|on|off” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/MS_width.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Control the Stereo width of your mix<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
To control the actual Stereo width of the mix a built-in MS encoder\/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.<\/p>\n
Details:<\/strong><\/p>\nThe MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.<\/p>\n
(This feature is only available when two channels (no more, no less) are processed.)<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ disabled_on=”off|off|on” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Control the Stereo width of your mix<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
To control the actual Stereo width of the mix a built-in MS encoder\/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.<\/p>\n
Details:<\/strong><\/p>\nThe MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.<\/p>\n
(This feature is only available when two channels (no more, no less) are processed.)<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/MS_width.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”Custom_section” _builder_version=”4.16″ top_divider_style=”triangle” top_divider_color=”#efefef” top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Individual Multichannel Processing<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n
Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.<\/p>\n
Details:<\/strong><\/p>\nWhen operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.<\/p>\n
By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2019\/05\/PureCompV3_large.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#ffffff” module_class=”Custom_section_grey Custom_section” _builder_version=”4.16″ background_color=”#ccc” top_divider_style=”triangle” top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ disabled_on=”on|on|off” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/band_parameters.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Open up the sound and increased the dynamic impression<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Two parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<\/p>\n
Details:<\/strong>
Dynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<\/p>\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range.<\/p>\n
A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ disabled_on=”off|off|on” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Open up the sound and increased the dynamic impression<\/h2>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Two parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.<\/p>\n
Details:<\/strong>
Dynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).<\/p>\nLevel Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range.<\/p>\n
A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.flux.audio\/wp-content\/uploads\/2017\/09\/band_parameters.png” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.19.5″ border_radii=”on|10px|10px|10px|10px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”Custom_section” _builder_version=”4.16″ top_divider_style=”triangle” top_divider_color=”#efefef” top_divider_height=”15px” top_divider_flip=”vertical” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Dual Preset Slots and Parameter Morphing<\/h2>\n
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The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.<\/p>\n
The two Preset\/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A\/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/youtu.be\/YxuSwuX-JWE” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Specs” _builder_version=”4.16″ background_color=”rgba(255,255,255,0)” parallax=”on” custom_padding=”0px|0px|0px|0px” da_disable_devices=”off|off|off” transparent_background=”on” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”Ubuntu||||” text_font_size=”35px” header_font=”||||||||” header_font_size=”32px” header_2_font=”||||||||” header_2_font_size=”32px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” module_alignment=”center” custom_padding=”10px||20px|” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” inline_fonts=”Ubuntu” global_colors_info=”{}”]<\/p>\n
Specifications<\/h2>\n
[\/et_pb_text][et_pb_button button_url=”\/plugin-specifications\/” button_text=”Access to all specifications” button_alignment=”center” _builder_version=”4.16″ global_module=”12370″ saved_tabs=”all” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Full control over the processing In addition to the common dynamics processing controls (ratio, attack, release, etc), Pure Compressor offers control over the essential dynamics profile used, all in order to provide full control over the processing even in the most demanding situations. Pure Compressor Pure transparent and discrete compression with the option to produce […]<\/p>\n","protected":false},"author":2,"featured_media":5460,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[131,139,146,147,148,166],"project_tag":[],"class_list":["post-829","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-dynamic-processing","project_category-processing-tools","project_category-music-creation","project_category-post-production","project_category-live-production","project_category-plugin"],"yoast_head":"\n
Pure Compressor - FLUX:: Immersive<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.flux.audio\/project\/pure-compressor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pure Compressor - FLUX:: Immersive\" \/>\n<meta property=\"og:description\" content=\"Full control over the processing In addition to the common dynamics processing controls (ratio, attack, release, etc), Pure Compressor offers control over the essential dynamics profile used, all in order to provide full control over the processing even in the most demanding situations. 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