{"id":9591,"date":"2019-04-05T10:13:32","date_gmt":"2019-04-05T14:13:32","guid":{"rendered":"https:\/\/www.flux.audio\/?page_id=9591"},"modified":"2025-07-07T17:11:17","modified_gmt":"2025-07-07T15:11:17","slug":"processing-tools","status":"publish","type":"page","link":"https:\/\/www.flux.audio\/processing-tools\/","title":{"rendered":"Processing"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/www.flux.audio\/wp-content\/uploads\/2019\/05\/procesing-main-1.png” parallax=”on” min_height=”40vh” custom_padding=”200px|0px|200px|0px|true|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”54px|0px|54px|0px|false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ min_height=”29px” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”32px” global_colors_info=”{}”]<\/p>\n

Esse, non Videri*<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.1″ text_font=”Roboto||||||||” header_font=”||||||||” header_2_font=”Roboto||||||||” header_2_font_size=”32px” header_4_font=”Roboto|300|||||||” header_4_text_align=”left” header_4_font_size=”14px” header_4_line_height=”2.4em” global_colors_info=”{}”]<\/p>\n

<\/h2>\n

T<\/span>he origin of FLUX:: goes back to the early days of computer based audio workstations, when the selection of audio software tools for professionals was very limited. We started with the creation of audio processing software, coming from audio engineering, with the core idea to design and create intuitive technically innovative tools for sound engineers, with no compromise of the audio quality.<\/p>\n

Another important aspect we always have had in mind, is the workflow, working in an analog studio with a hardware based workflow is totally different from working in the box, in a computer, a very important thing to consider.<\/p>\n

<\/h4>\n

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\u00a0Then the main challenge has always been to design the processing algorithms to provide the absolute finest audio quality, and to always strive to preserve the timbre of the material independent of the amount or type of processing performed. In the end, the perfect sounding audio processing tool is the one you don\u2019t hear – Esse, non Videri!<\/strong><\/span><\/p>\n

<\/h4>\n

*to be, not to be seen<\/strong><\/h4>\n

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Products<\/h2>\n

[\/et_pb_text][et_pb_portfolio fullwidth=”off” posts_number=”-1″ include_categories=”139″ show_categories=”off” show_pagination=”off” _builder_version=”4.16″ title_font=”Roboto||||||||” title_font_size=”32px” pagination_font=”||||||||” global_colors_info=”{}”][\/et_pb_portfolio][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#000000″ da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_slider show_meta=”off” image_placement=”left” _builder_version=”4.16″ background_color=”#000000″ global_colors_info=”{}”][\/et_pb_post_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Esse, non Videri* T<\/span>he origin of FLUX:: goes back to the early days of computer based audio workstations, when the selection of audio software tools for professionals was very limited. We started with the creation of audio processing software, coming from audio engineering, with the core idea to design and create intuitive technically innovative tools […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-9591","page","type-page","status-publish","hentry"],"yoast_head":"\nProcessing - FLUX:: Immersive<\/title>\n<meta name=\"description\" content=\"Since 2007, FLUX:: creates intuitive and technically innovative audio software tools, used by sound engineers and producers in the music, broadcast, post production, mastering and live audio industry all over the world.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.flux.audio\/processing-tools\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Processing - 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