{"version":"1.0","provider_name":"FLUX:: Immersive","provider_url":"https:\/\/www.flux.audio","title":"How to Use a Limiter, Part 3 - Advanced processing and Dolby Atmos mastering - FLUX:: Immersive","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"aMOukk3vnj\"><a href=\"https:\/\/www.flux.audio\/2022\/11\/24\/how-to-use-a-limiter-part-3-advanced-processing-and-dolby-atmos-mastering\/\">How to Use a Limiter, Part 3 &#8211; Advanced processing and Dolby Atmos mastering<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.flux.audio\/2022\/11\/24\/how-to-use-a-limiter-part-3-advanced-processing-and-dolby-atmos-mastering\/embed\/#?secret=aMOukk3vnj\" width=\"600\" height=\"338\" title=\"&#8220;How to Use a Limiter, Part 3 &#8211; Advanced processing and Dolby Atmos mastering&#8221; &#8212; FLUX:: Immersive\" data-secret=\"aMOukk3vnj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.flux.audio\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.flux.audio\/wp-content\/uploads\/2022\/11\/221115_BAN_1920x1080_TECH_TIPS_Part3.png","thumbnail_width":1920,"thumbnail_height":1080,"description":"In the previous two articles in this series, True Peak limiting and Loudness processing, and Limiter Theory &#8211; Knowing your tools, we\u2019ve been talking about the general usage of limiters, and explained limiting processing in more detail. Now we will continue with some examples of different workflows that are used with a limiter. If you [&hellip;]"}